sowari Moderator Moderator. sub bass must always, always be mono. some producers always have their kicks mono, where as others also do the same for snares.

Is bass a mono or stereo?

As a general rule of thumb, it's considered common practice to sum anything below 200hz to mono. This means your bass, sub-bass, and kick drum will almost always be summed to mono.

Should mono be double bass?

When mixing bass in a two-channel (ie, stereo) mix, the topic of stereo content and mono compatibility in the low frequencies is hotly debated. Most recommend you keep all low-frequency elements in a mix – generally the kick drum, sub bass and other bass elements – completely mono.

Should a synth bass be mono?

Making your bass mono can be really useful. However it's not always necessary. Sometimes you might only need to make your lowest/sub frequencies in mono, but the midrange can stay wider. Nonetheless, if there are other elements occupying your stereo space, hit that mono button and make your bass centered.

Should a kick be in mono?

You should keep your individual drum hits in mono if possible, especially the kick drum, though you should also use stereo effects or panning decisions to create width and separation in your sound to add more variety to your mix.

SHOULD I MONO THE BASS? - Streaky.com

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What sounds should be mono or stereo?

Always keep the most important sounds in mono. Always. For example, don't pan your bass left or right, or even slightly left or right. Bass sounds should always stay in the centre of your stereo image.

Should high hats be mono or stereo?

The kick and the snare should be mono, the open-hats and the toms should be panned, and the closed hi-hats can be both panned and stereo. However, they don't have to be. Sometimes, you'd want to spread your drums differently around the stereo field.

How do you EQ a bass synth?

Use a moderate ratio around 4:1 and fast attack and release times to compress the track by about 3-6 dB. Then use a slower compressor to squeeze the track, adding glue and increasing the perceived loudness. Use a mild ratio around 2:1 and slow attack and release times to compress the track by about 3-6 dB.

Does synth bass need compression?

Unlike most acoustic instruments, many synth basses begin with very little dynamic range, so be sure that you listen and only apply compression if you need the compression. Do experiment though, as adding compression—light or heavy-handed—can affect the transient response and harmonic texture of any sound.

What is the difference between mono and stereo?

Mono sound is when only one channel is used to convert a signal to a sound. Stereo sound is when multiple channels are used to convert multiple signals to sounds.

What is stereo bass?

Stereophonic sound is the reproduction of music through two or more sound sources with the intent of fooling the brain into perceiving sound as coming from a multidimensional space. ... This gives the impression that stereo bass is about recreating the original sound source location at low frequencies.

Is 50Hz good bass?

The lowest pitch that your ears can hear is likely to be between 20Hz and 50Hz, which falls into the lower end of the bass frequencies. ... Bass – 20Hz to 300Hz. Midrange – 300Hz to 4kHz. Treble – 4kHz to 20kHz.

How do I make my bass sound deeper?

For deep bass, you're going to want to use a low-pass filter to cut out the higher frequencies of the bass notes, and then shape it with the filter and amplitude envelopes. Using the low-pass filter cutoff, we cut the higher frequencies out. Next, played with the filter resonance to add some depth and color.

What is mid bass frequency?

Midbass is that all-important frequency range between 200Hz and 500Hz and covers the most important instruments in our musical libraries: voice, cello, viola, brass, tympani, woodwinds, bass, guitar. Just about everything we treasure has some element of midbass. In fact, it is the foundation of almost all music.

Do synths need compression?

Synths do not necessarily need compression in the same way that vocals and some acoustic instruments often do, where compression is used to create a more consistent dynamic range evening out peaks and troughs in volume. On synths, compression is used more as an effect to create a certain distinctive sound.

What elements should be mono?

in theory everything that is a mono sound source would be kept in a mono channel: Lead vocal, guitar, Bass, drum individual parts, some synth leads, trumpet, flute, percussion , wtv you can imagine that comes from one single point and its very easy to identify it.

Is Piano a mono or stereo?

Normally, though, when piano is a part of larger instrumentation, I tend to still have it stereo but with rather narrow stereo field. For example in classical concert you would normally hear the piano from the "treble" side of the instrument.

How loud should hi hats be?

If you absolutely must have a volume level for your hi hats, I would suggest -20 db. But this can vary depending on the artistic effect you're going for as well as how high the average peak volume of your song is going to be.

Is mixing in mono good?

In fact, some producers mix levels in mono throughout most of the process. This is because mono gives you not only clarity while listening, but also the ability to catch mistakes in the mix. For example, mixing in mono can help you detect phasing issues between different waveforms.

Should I record in mono or stereo vocals?

The Simple Answer. To give you a simple answer, if you're recording vocals of one singer in a booth, you should record in mono. However, when you're recording vocals of more than one singer and instrument, you should record in stereo.

Is mono audio better for gaming?

Forcing stereo/multichannel audio files to mono is a great way to save space in your build and optimize your game's performance. ... You might be thinking, “but audio doesn't normally take up that much space or performance compared to other aspects of the game”, and you would be right.